by Klaus Nordling, et. al.
Publisher: Ken Pierce, Inc., 1st edition (1980)
Softcover, 64 pages
This is a collection of sixteen, 4-page, stories from the original golden age of comics, the 1940s, surrounding an obscure character, Lady Luck. The character originally was conceived by the legendary Will Eisner as a back-up piece for his 16-page Sunday comic supplement, The Spirit. Lady Luck shared this distinction with Mr. Mystic and eventually fell into obscurity along with him.
For more readings, try books by Rex Hurst.
Publisher: Ken Pierce, Inc., 1st edition (1980)
Softcover, 64 pages
This is a collection of sixteen, 4-page, stories from the original golden age of comics, the 1940s, surrounding an obscure character, Lady Luck. The character originally was conceived by the legendary Will Eisner as a back-up piece for his 16-page Sunday comic supplement, The Spirit. Lady Luck shared this distinction with Mr. Mystic and eventually fell into obscurity along with him.
One of the reasons she fell into obscurity, only to be
revived in reprints briefly in 1980 (where this volume hails from) is that
there isn’t anything really new here except for the addition of a vagina.
Heiress Barbara Banks masquerades as an air-head socialite by day, but at
night, dressed in a green veil, hat, dress, and gloves with clovers embroidered
on them, she is Lady Luck. She has no powers, apart from being attractive to
every man around her and simply beats-up, strangles, and shoots her enemies. You’ve
heard this one before? Of course, you have. She’s essentially a female Spirit,
Batman, or Green Arrow. She wasn’t even the first female superhero there were
at least eight by the time she came around, Fanotmah, Phantom Lady, Miss Fury, Wonder
Woman etc.
These were produced during World War II so Lady Luck’s
enemies were your standard schmear of axis spies, saboteurs, black marketers,
fifth columnists, and so on. As typical of Eisner productions, she has a racial
stereotype assistant (ie. Ebony White, Chop Chop) called Peecolo, a big dumb
Italian who is in love with his boss. Some of his dialogue is as follows, “Ees eet
porsible? Brenda? Lady Luck?” The one thing different I will say about Lady
Luck is that inevitably a lot of people find out her alter ego. Nearly everyone
close to her and a few enemies just tear off her mask and figure it out. Apart
from that, it is your standard four-color beat-em-up fare.
The history of this character is somewhat shaky. As it is
stated above, she started as a back-up character for the Spirit in 1940 with
Eisner production. Then was sold to Quality comics (as many of Eisner’s
characters were) and began appearing in Smash
comics in issue #43. She grew somewhat in popularity to the point where the
title was changed to Lady Luck Comics
in issue #85, then ended at issue #90 in 1950, when the initial superhero bust
happened.
For more readings, try books by Rex Hurst.
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