by Brian Barr
Publisher: Brian Barr Books (April, 2018)
Softcover, 28 pages
Publisher: Brian Barr Books (April, 2018)
Softcover, 28 pages
“And, just as he planned, he was breaking out of this
facility easy enough. His body was even stronger than when he entered the
asylum, as he spent his waking hours doing nothing but conditioning,
bodybuilding, and sprinting around the yard. It took little time to clear one
hallway, then another stairwell, all while Ichiro’s memory was on point. He
knew the facility in and out, knew where the deactivated cyborg guards would be
sprawled out on the floor since they were stopped in their redundant sounds. All
of the humans were out that night, recovering from a long day while preparing
for tomorrow.”
Once again, Brian Barr has turned out a superb cyberpunk
story in the classic tradition. As I’ve written before, cyberpunk works at its
best when it is asking question about the nature of reality and life. What
makes someone alive. And if something is a copy of a copy of a copy does that
final copy have an identity or life of its own? If you say no, then you must
consider how our own identity is created through the combination of DNA and
learned behavior. Are we not just inconsistent copies of those who came before?
In this story, we have an inmate at a cyber-asylum, a
famous artist. In the asylum a person is placed into a tank and their mind is
whisked to cyberspace to work on their disorders in peace, away from the soul
sucking world and the people in it. The protagonist is in his so long that his
body is on the verge of total decay. He must make a decision then whether to
escape with another inmate and be downloaded into an artificial body or die. As
you might guess, that’s not much a choice. The story in an intriguing sci-fi
tale, and I would recommend to everyone with an interest in the genre.
For more readings, try books by Rex Hurst.
For more readings, try books by Rex Hurst.
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