by Benjamin Marra
Publisher: Fantagraphics Books (September 22, 2015)
Softcover, 100 pages
Amazon Listing
Publisher: Fantagraphics Books (September 22, 2015)
Softcover, 100 pages
Amazon Listing
In
this case the acronym O.M.W.O.T. stands for “one man war on terror”, and is
sort of a sixties throwback to the days of U.N.C.L.E. and S.H.I.E.L.D. where
acronyms were all the rage. This story is one of the most bizarre send-ups of
the terrorism, hyper-action genre that I have ever read. At first, I just
thought it was ridiculous and stupid, but the more I read the more it grew on me
- the humor stood up and waved and I was sucked in.
The
plot goes that a group of disavowed ultra-violent agents, called Terror
Assaulters, are unleashed on a world rife with terrorism. There are four tales
here and they get increasingly bizarre. The first one almost seems standard,
O.M.W.O.T. goes undercover to get some stolen information, ends up killing
everyone and doesn’t recover it, but bangs a hot woman in the end. The
ridiculous violence is everywhere in the story, but after this it goes off the
rails.
In
the second episode, O.M.W.O.T. is on a plane which is subsequently high jacked
by terrorists. He kills most of them with an assault rifle, along with several
of the passengers (I can’t tell if he did this deliberately or not). He then
has a homosexual sexual encounter while trying to land the plane, which is
about to crash as OMWOT missed a terrorist who managed to blow off the back end
of the plane, causing most of the passengers to fly out the other end.
In
the third, Terrorists have taken over America and OMWOT has to shoot and fuck
his way through hordes of them, only to find the ringleader was one of his own,
a Terror Assaulter. In the last and strangest tale, OMWOT is forced to marry a
woman who turns out to be the villain from the previous story after a sex
change and the entire thing devolves into a series of trans-sex scenes that
ends with our hero staring off at a vision of King Arthur in the distance-
Don’t ask, I don’t know why.
This
book is an absurdist reaction to the War on Terror from the early 2000s. The
action is deliberately ridiculous and made to put the real world into
perspective. Adding to the absurdity is all the expository dialogue. Many of
the characters scream out what is being shown in the scene. “Ahh, you’ve cut my
throat and killed me.” “You shot my arms off.” “I’m immediately experiencing
orgasm.” “”We’re coming at the same time as you crash land the plane.” All of
these are actual lines from the book. Again, at first it all seems stupid, but
the oddity grows on you.
The
art is maybe the weakest part. It is awkward, many stiff limbs and, what seems
like, hastily drawn action scenes. The artist has talent, but needs to develop
it more- or else this was deliberate to coincide with the material- I don’t
know. The coloring is minimalistic- less than four color comics, but that also
seems to be a stylistic choice. However it does obscure some of the lines, so
it may have been a poor choice.
For more readings, try books by Rex Hurst.
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