By: Francois Eugene Vidocq
Publisher: Nabat Books; Nabat ed. edition (May 1st, 2003) (originally published 1871)
Softcover 382 pages
“It is rarely that a convict escapes from prison with the intention of reforming; most often he proposes to gain the capital to practice the fatal skill which he has been able to acquire in the convict prisons, which, as are most of the prisons, are schools where they are perfected in the art of appropriating someone else’s goods. Nearly all the great robbers have become experts only after a more or less long sojourn in the galleys.”
An abridged version of the original written
in French in 1832, it is actually the first of four novels by the author. The
others being Thieves: A Physiology of
their Customs and Habits; The True
Mysteries of Paris; and The Rural
Bandits of the North.
Seemingly forgotten, the name of Vidocq
carried great weight in post-revolutionary France and England. In a sense, he
was the original police detective and inspired the entire genre of fiction.
Hugo, who was aquainted with them man, took him as inspiration for both Jan
Valjean and Inspector Javert in Les Misérables,
the first character being on Vidocq the criminal, and the later when he
switched teams. Balzac’s Valtean is openly based on the man, as is Gaboriau’s
Lecoq. Charles Dickens consulted with him when writing Great Expectations. Edgar Allen Poe and Arthur Conan Doyle were both
influenced by the memoirs when creating their famous detectives and the man is
mentioned by name in Moby Dick.
He refers to himself as the Master of
Crime, I assume due to his ability to root out criminals, as his career as a
felon seems to mostly consist of womanizing, petty thievery, drunken brawls,
desertion of duty, and escapes from prison- rather than big scores. And while
he did break out of a number of prisons, he kept getting caught.
Several critics have attacked them,
claiming that they were “spurious”, or at least exaggerated, that he had them
ghost written, and so on. But I have to point out here that most of the cases
he discusses as a police detective were well known at the time and the facts
could easily be checked up on, even if now they have wallowed into obscurity. And
in a sense the accuracy of the memoirs is unimportant. Like those who argue
about the historical existence of King Arthur, the stories themselves have
shaped our culture much more than any truth could have. Look at the list above
again and see what it inspired, then think on how much else was inspired by
those works and you will see, exaggerated or not, the Memoirs of Vidocq are extremely culturally valuable.
For more readings, try my collection of books.
Publisher: Nabat Books; Nabat ed. edition (May 1st, 2003) (originally published 1871)
Softcover 382 pages
“It is rarely that a convict escapes from prison with the intention of reforming; most often he proposes to gain the capital to practice the fatal skill which he has been able to acquire in the convict prisons, which, as are most of the prisons, are schools where they are perfected in the art of appropriating someone else’s goods. Nearly all the great robbers have become experts only after a more or less long sojourn in the galleys.”
Portrait of Francois Eugene Vidocq |
1946 film based off the Memoirs |
Several films have been based off of
his memoirs. The first was in 1939 a French production simply called Vidocq, which I cannot find a copy of. Then in 1946 A Scandal in Paris, starring George Sanders, was made. It took some wild liberties with the text, but is still a passable
film from the time. Vidocq in 2001,
starring Gérard Depardieu, is loosely based on several of cases the author
describes in his memoirs. In addition there was a short lived French TV Series
from 1967 based around the character, it lasted only 13 episodes. And a further French TV movie called Vidocq was made in 2010.
Some notable real life lawmen took
inspiration and copied techniques described by Vidocq in the Memoirs. Both Allan Pinkerton, founder
of the famous (or infamous, depending on your political bent) Pinkerton
Detective Agency, and J. Edgar Hoover of FBI fame, praised the work and read it
religiously.
2001 film based off of the Memoirs |
The book doesn’t get interesting until
halfway through when he begins his vocation as a professional snitch (or police
spy, as he calls it). Already familiar with French criminal underworld and its
argot, he launched into his he job with a hungry appetite. Soon he became too
well known to operate effectively, so he began to master the art of disguise
and affecting different accents. This lead him to eventually be inducted into
the police as an inspector and then be given his own semi-autonomous squad.
There he help to pioneer or champion various techniques to cut down on
counterfeiting (a large problem at the time), crime scene investigations, and
rudimentary ballistic testing.
His success brought on many enemies
both inside the police and out. Jealousy of his achievements caused many on his
side of the fence to view him as a threat. At least according to him. In his
writing he doesn’t fail at every opportunity to demonstrate or comment on his
own brilliance and acumen. So I have no doubt that this arrogance helped to
garner him a vast number of professional detractors.
From The Vidocq Society |
For more readings, try my collection of books.
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