By: Mike Grell
Published: IDW Publishing (November 14, 2006)
Softcover 140 pages
This introspection is what sets Jon
Sable apart, as opposed to a character like The Punisher, who is generally only
seen to kill criminals “for revenge”. Emotions like that eventually burn
themselves out. A man can only swallow it for so long before he spits it back
out. Sable’s addiction and his struggle with it, seems real.
Published: IDW Publishing (November 14, 2006)
Softcover 140 pages
Collecting issues 22 through 27 of the
creator owned independent comic published by First comics in the 1980s. Here we
are close to halfway through the 45 issue initial run. Grell, perhaps tired of
the single issue shoot-em-up format, gives us two overlapping arcs, lasting
three issues each.
The stories were a definite attempt to
appeal to a more mature audience, and not just because of the sex scenes. Of
course, I don’t understand why the sex is only for mature audiences, as the
adolescent me would’ve appreciated it a whole lot more than the current older
version. And there are a number of very well illustrated ones in this
collection. Not hard core penetration, but let’s call it “tasteful nudes”.
We continue on with Sable’s
self-reflection on the direction of his life. What’s bothering him is his
evolving relationship with Myke, the good girl character, for whom he has
strong feelings. He knows however that
they would have to give up a part of himself were they to go further. But his
overwhelming urge for action and adrenaline, clings to him. He loves the
absolute certainty of having a mission and goal, as opposed to the rest of his
rudderless existence. Like a junkie claiming that this will be his last fix,
Sable looks for any excuse to chase the dragon. He knows it’s bad for him, but
cannot help himself.
Mike Grell |
The first arc has Sable going after
The Sparrow, a freelance assassin, essentially Sable dark mirror, with whom he
has tussled before. Having recently broken out of prison and landed illegally
in Israel, The Sparrow is planning some sort of terrorist attack. The CIA
contact’s Sable to track him down and either bring him in or eliminate him,
they much preferring the latter. After a series of violent escapades dealing
with backstabs from the CIA and the IDF, Sable tracks down his target and makes
a choice. Why I like this story is because there isn’t a big grand standoff
between the two characters, they never even meet once. The only encounter is
Sable starring at the target through a telescopic lens.
The
second arc has Sable and Myke at his old family cabin where he tells her the
story of his family and how his parent’s met. It was during WWII, Sable’s
mother was an agent for the French Resistance and his father was an on the
American side. She helps to smuggle him out of France after his plane is shot
down. After a one night stand during the escape Sable is conceived. As always
Grell’s use of action is superb, brutal and real. He never falls into the
unrealistic trap of the characters having a conversation in the middle of a
fist fight, which seems to be a mainstay of comic books. I never look at one of
his scenes and think, “Well that’s just ridiculous.”
For more readings, try books by Rex Hurst.
For more readings, try books by Rex Hurst.
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