by William B. Dubay, (writer), Jose Ortiz, Jim Starlin, Alfredo Alcala, Lee Elias, & Jim Janes (illustrators)
Publisher: Dark Horse Books (November 21, 2017)
Hardcover 128 pages
The volume collects the final stories of The Rook, Master of Time, that appeared in Eerie magazine issues 98 -105, before the entire series became its own magazine. In 1980, The Rook hit market places and ran for fourteen issues, becoming Warren Publishing’s biggest hit, before the entire company folded.
Publisher: Dark Horse Books (November 21, 2017)
Hardcover 128 pages
The volume collects the final stories of The Rook, Master of Time, that appeared in Eerie magazine issues 98 -105, before the entire series became its own magazine. In 1980, The Rook hit market places and ran for fourteen issues, becoming Warren Publishing’s biggest hit, before the entire company folded.
For those who haven’t read the first two volumes, the
stories revolve around Restin Dane, a genius inventor and time traveler, who
journeys to different time in a machine shaped like a rook from a game of
chess- hence his nickname. His sidekicks include his great-grandfather, whom
Restin saved from the Alamo, and a prissy robot (Restin Dane is also a robotic
genius) name Manners, who acts as Restin’s valet and as a foil for the
great-grandfather.
The
stories in this volume are stranger still than the previous one. A writer I
know remarked in the past that when she starts a new series there are several
ideas she has as to where it will go, what characters the protagonist will
encounter, what plot points will crop up, but as it goes on those initial ideas
dry up and that's when true inspiration comes into play, that’s when her best
material appears. I think that’s what happened here.
The basic formula of the tales is that Restin Dane aka The
Rook travels alone to some point in the past and finds some impossible trouble,
such as a lost city of Asian warriors in Death Valley or an army of clockwork
murder bots crafted by Adolph Hitler’s father. This he eventually oer comes
with his superior intellect and fists. Then the B-story has The Rook’s
great-grandfather, Bishop Dane, angry at being left behind again and running
off with the valet robot, Manners, and getting into some sort of shenanigans
that he just barely extricates himself from before The Rook reappears, such as
traveling to Hong Kong in 1802 to become a pirate or a lone alien landing in
the Florida swamps.
The writing is sharp and on track, even if the stories are
derivative of past successful stories at the time, taking riffs from
Kun-Lun from Iron Fist and an obvious
parody (but well done) of Terry and the Pirates. The art goes overboard, some
of the best I’ve seen in The Rook series. Bold grey tones, mixed with sweeping
details and palpable sense of action, which just blew me away. It took me
longer than usual to finish this book because I was spending so much time
admiring the art.
I just have to end on this note. Restin has brought his
great-grandfather into “the present” of 1979 in a permanent capacity it seems.
So that means either the old man has to go back and knock up a random woman,
then stick around long enough to hang his name on the bastard, or the old man
already has a family that he abandoned to go play around in the future. As far
as I know, this little issue is never addressed.
For more readings, try books by Rex Hurst.
For more readings, try books by Rex Hurst.
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