By Box Brown
Published: First Second (January, 2018)
Softcover, 272 pages
Published: First Second (January, 2018)
Softcover, 272 pages
This is another biographical treat from Box Brown who
brought us the life of Andre the Giant and the surprisingly intense history of
the video game Tetris (Well, surprising to me at least). Now he has tackled the
life of oddball comedian Andy Kaufman, or part of it.
This is not the definitive life of Kaufman as it mostly
focuses on his fascination with wrestling, which drove him to wrestle women for
money (and apparently sexual arousal), leading up into his infamous
confrontation with Jerry Lawler on the David Letterman Show (the smack heard
round the world). While this is probably his most famous stunt, I always felt
the explosion he had on the TV show Fridays was just as good.
In retrospect, Kaufman’s humor sliced in two different
ways. He was the original troll. We know now nearly everything he did was
staged beforehand and we can appreciate people’s stunned reaction to him,
laughing as much at them as the man himself. But there was a special charm, an
edge of uncertainty, to seeing him live for the first time and always
questioning whether it was real or fake. That doubt always gave his
performances an extra bite, which time unfortunately has eroded.
Additionally, the book delves into the Jerry Lawler's
entrance into wrestling and the history of old time wrestling, before Vince
McMahon Jr. took it mainstream. It demonstrates, accurately in my opinion, how
Kaufman was ahead of its time in seeing the mainstream celebrity potential of
wrestling (and not the gay Greco-Roman kind either). Within a year after Kaufman’s
death and the death of McMahon Sr. the WWF exploded all over the country.
As you can see from the photos included the art is
minimalist, direct representation of the material. One guy said to me that it
looked amateurish until I told him to shut up, which started up a whole big
thing of pushing and shoving and horrible words exchanged. Then I got accused
of “hate speech” and I retorted with, “Well I fucking hate you, so I guess I’m
guilty!” Security jumped in and started tazing everyone, so I ran off with a
stolen copy of this book.
But
my point was that often with biographical material a minimalist look adds to
the impact of the story. Something more elaborate would draw attention away
from the life of those portrayed, might prevent the reader from becoming so
engrossed in the narrative. You can see this in the original drawings for Maus,
which were much more detailed (and somehow not as effective) as the later style
used.
Maus finished art
For more readings, try books by Rex Hurst.
Maus original art |
For more readings, try books by Rex Hurst.
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