By Various Original Artists. Clizia Gussoni & Craig Yoe (Editors) Rebecca Sevrin (Introduction)
Published: IDW (February 7, 2018).
Hardcover, 160 pages
When I was younger the bullshit phrase, “Love means never having to say you’re sorry,” was bandied about by the insipid film Love Story. I wasn’t actually born when it came out, but my mother (may her evil soul rot in Hell) was a romantic drivel junkie, absorbing as much of the garbage as she could, diving from one Harlequin romance and romantic comedy to the next like a dope fiend after a fix.
Published: IDW (February 7, 2018).
Hardcover, 160 pages
When I was younger the bullshit phrase, “Love means never having to say you’re sorry,” was bandied about by the insipid film Love Story. I wasn’t actually born when it came out, but my mother (may her evil soul rot in Hell) was a romantic drivel junkie, absorbing as much of the garbage as she could, diving from one Harlequin romance and romantic comedy to the next like a dope fiend after a fix.
It’s ironic, considering how much a
series of train wrecks all of her personal relations turn out to be. No one was
good enough, no one had achieved enough (even though she was a lowly civil
servant), the “right guy” was just around the corner. “What’s wrong with all
the men?” she’d whine. “They aren’t trying to woo me.” Or the romance began
great, the stars glistened in her eyes, but then it was revealed that her new love was just an ordinary guy, not a goddamn living Ken doll, and
her interest waned. “I’m just not feeling it anymore, you know?” Then she would
lay about, wondering what was wrong with everyone else that she was alone.
Where did this come from? What was
the genesis? The great ten-cent plague. Comic books. Specifically romance comics targeted at girls. Extinct today, this genre of the medium made their debut in
the early 1950s, and were created by the great duo of Joe Simon and Jack Kirby.
The pair who pretty much seemed have created each new trend in the comic
industry beginning with Captain America. Well, after superheroes faded, the
pioneered westerns then came up with romance. And they hit! Romance comics were
a staple for close to twenty years in the industry. But how did the romance
stories play out? Well that brings us to the point of this book.
Granted I may be reading more into
this tome than I should, but it’s difficult not to when you read story after
story of romantic entanglements and love-at-first-sights which inevitably end
in a marriage proposal. “Oh Mike, I will. SIGH.” It is perhaps the genius
behind the editor’s selection of reprints in this book. The stories are simply
offered up without comment. This was how romantic love was presented to teenage
girls back in the day.
What was once considered mushy trash,
can now be studied with ironic detachment. And there is plenty to pick through.
The constant teacher-student romances, the political differences leading to
complications, the stand-outs (done for both sexes) who dress too flashy for a
person to date seriously, and so, so, so many misunderstandings leading to
break-ups and then heartfelt reconciliations. Or you might focus on the
attempts to sway pre-teens with “modern” lingo that is “hip” and “ray” and
“outta sight”.
For me, the book cultivates a naive
look at love, adding to the illusion that the past was a “simpler time”. Most
of the comics are culled from the defunct comics companies Charlton (always the
weak sister in the industry), Avon, and ACG, whose work has fallen into public
domain. Most of their work is looked on as “less than” by old time aficionados
and with good reason, but this book provided me with plenty of laughs and was
ultimately satisfying.
For more readings, try books by Rex Hurst.
For more readings, try books by Rex Hurst.
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