By Ted Slampyak
Publisher: Caliber Press (1991)
Softcover 140 pages
For more readings, try books by Rex Hurst.
Publisher: Caliber Press (1991)
Softcover 140 pages
Now here’s another piece of near-forgotten comic history
for you 80s comic buffs, Jazz Age Chronicles. This came during the comic
renaissance when many talents, who might otherwise have been unknown, found
havens in smaller comic publishers. Such is the case here.
The story set in the 1920s teams up Harvard professor Dr.
Clifton Jennings and scruffy private eye Ace Mifflin in a twisty story over the
sale of an evil arcane artifact that turns into a bad case of murder...and
there’s a vampire. Obviously a lot of research went into making sure this comic
looked and sounded right. The dialogue contained a lot of obscure slang from
the era (“sheiks” for guys, “shebas” for gals) and there was not an anachronism
among the dress styles, architecture, or vehicles from what I could see.
While well put together and wonderfully illustrated, the
story itself feels tired. A collection of cobbled together cliches. The
university professor archaeologist, the gruff private eye, his faithful
secretary who stays with him even though he’s always late with her check, the
supernatural elements in the 20s ala Lovecraft. I didn’t see that much
originality here. Maybe it got better as the series went on and I would
definitely read more if I could find them cheap enough.
It was originally published by E. F. Graphics, a house so
small I literally cannot find any information about them except that they
apparently once existed, but quickly folded. It was then picked up by Caliber
Comics and ran for 9 issues. This collects the first three of them and several
short stories, both illustrated and prose, starring one of the main characters.
Caliber Comics (restarted in 2012 as Caliber Press) is the company who brought
us Dead World - the original zombie
comic book and far superior to The
Walking Dead. And such classic as Baker
Street, Kabuki, Renfield (Which is Dracula as told from Renfield’s point of
view), Nowheresville, and Brian
Michael Bendis’s first works Fire, A.K.A.
Goldfish and Jinx.
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