Publisher: Kitchen
Sink Pr; 1st edition (1998)
Softcover, 288
pages
The
Spirit, as we all remember, was a comic insert into
newspapers which ran from the late 1930s until the early 1950s. While Will
Eisner is given sole credit for the writing and art, but it is well known he
had a team of excellent artists and a few writers to touch up his work and help
him along the way. Not to say the man wasn’t extremely talented, but sole
credit is a little much. This becomes apparent in the last three stories when
it is obvious the artists are completely different.
For
anyone who is an aficionado of comics from the Golden Age of Comics, the Spirit immediately stands out. Not
just because of the superior art, the willingness to try new things and play
with point-of-view, but the more adult nature of some of the stories. This is
because, being in a newspaper, the audience was wider-ranged and more adult.
Comics were power fantasies for pre-pubescent kids and written as such. The Spirit
rose above it with style.
The
Spirit was a masked vigilante who fights crime with the blessing of the city's
police commissioner Dolan, an old friend. Establishing a base underneath his
own erroneous tombstone, he funds his adventures with an inheritance from his
late father and the rewards for capturing villains. One of his recurring
villains was P’gell, the ultimate femme fatale. She had a bad tendency of
seducing men who then die quickly, while she gathers the inheritance.
Her
interactions with the Spirit aren't always antagonistic. In fact, they are
uneasy comrades more times than they are enemies. When the Spirit appears,
P’gell shows annoyance that this pest has arrived again to ruin her plans.
While the Spirit never quite gets enough on P’gell to arrest her completely.
There interplay is almost cat-and-mouse, except one party (P’gell) has no interest
in the game.
This
volume publishes the most of the Spirit of stories around P’gell (if you
couldn’t tell from the title), 17 stories. Ironically her first appearance is
left out of this collection as the publishers included it in the first volume
of The Spirit Casebook. It also includes
outtakes from 2 stories "The Portier Fortune", and
"Competition", where the stories were "rerun" in the strip
with new openings and endings. The book also contains P'Gell's cameos in the
comic as well ("Caramba!" looks intriguing enough that it should have
been reprinted entirely).
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