The Complete Jon Sable Freelance Volume 3 (Graphic Novel) (Action)

By: Mike Grell 

Publisher: IDW Publishing (November 22, 2005)

Softcover  176 pages

          Collecting issues 12 – 16 of Mike Grell’s independent series from the 1980s. Originally published by First Comics, Jon Sable is a freelance operative with a tortured past. A Vietnam Vet and former Olympic athlete, he was in Munich during the 1973 Olympic massacre. He met his wife, a former gymnast, and went to live in what was then called Rhodesia in Africa. They had two children and lived happily, until the family, except Jon was murdered in standard hero vigilante style, leaving him a bitter mercenary shell.

Author and artist Mike Grell

          The character was inspired by all of the great private eye and spy brooders of the past, Spillane’s Mike Hammer, James Bond, and so on. Sable differs from these characters in his personal struggle against depression and emptiness, filling the void with constant action only to have it reclaim him. He is a mercenary, but does not have a mercenary nature. He can’t help caring, which often leads him into disaster. Despite some of the farfetched scenarios presented, Jon Sable himself feels very real.

 Grell’s artwork and the use of shade and color often underline his hero’s inner sadness to brilliant effect. He expertly moves between scenes, panels flying up before us, knowing when to talk and when to show. He is a true master of the craft.

          This volume contains the acclaimed MIA two part story where Sable and some former comrades head back to Vietnam to attempt to discern the fate of a downed airman from the war. There he tackles old demons as well as live communist NVA threat. Then he flies over the Berlin Wall to smuggle out a Russian ballerina and reunite her with her husband who had defected earlier. In the third story, Sable joins an illegal archeological expedition to Nicaragua (also in the hands of Communists) to discover a lost temple, which the leader believes to be the lost tomb of Jesus Christs. As they battle communists, the expedition makes an interesting discovery. Last, we see the return of Maggie the Cat, a notorious jewel thief. Catwoman to Sable’s Batman. He joins her to recover a chemical formula stolen by a dishonest college professor and his students. 

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Memoirs of Vidocq: Master of Crime (Autobiography) (True Crime)

By: Francois Eugene Vidocq

Publisher: Nabat Books; Nabat ed. edition (May 1st, 2003) (originally published 1871)

Softcover 382 pages


          “It is rarely that a convict escapes from prison with the intention of reforming; most often he proposes to gain the capital to practice the fatal skill which he has been able to acquire in the convict prisons, which, as are most of the prisons, are schools where they are perfected in the art of appropriating someone else’s goods. Nearly all the great robbers have become experts only after a more or less long sojourn in the galleys.”

Portrait of Francois Eugene Vidocq 

          An abridged version of the original written in French in 1832, it is actually the first of four novels by the author. The others being Thieves: A Physiology of their Customs and Habits; The True Mysteries of Paris; and The Rural Bandits of the North.

1946 film based off the Memoirs

          Seemingly forgotten, the name of Vidocq carried great weight in post-revolutionary France and England. In a sense, he was the original police detective and inspired the entire genre of fiction. Hugo, who was aquainted with them man, took him as inspiration for both Jan Valjean and Inspector Javert in Les Misérables, the first character being on Vidocq the criminal, and the later when he switched teams. Balzac’s Valtean is openly based on the man, as is Gaboriau’s Lecoq. Charles Dickens consulted with him when writing Great Expectations. Edgar Allen Poe and Arthur Conan Doyle were both influenced by the memoirs when creating their famous detectives and the man is mentioned by name in Moby Dick.

         Several films have been based off of his memoirs. The first was in 1939 a French production simply called Vidocq, which I cannot find a copy of. Then in 1946 A Scandal in Paris, starring George Sanders, was made. It took some wild liberties with the text, but is still a passable film from the time. Vidocq in 2001, starring Gérard Depardieu, is loosely based on several of cases the author describes in his memoirs. In addition there was a short lived French TV Series from 1967 based around the character, it lasted only 13 episodes. And a further  French TV movie called Vidocq was made in 2010.

          Some notable real life lawmen took inspiration and copied techniques described by Vidocq in the Memoirs. Both Allan Pinkerton, founder of the famous (or infamous, depending on your political bent) Pinkerton Detective Agency, and J. Edgar Hoover of FBI fame, praised the work and read it religiously.

2001 film based off of the Memoirs

          He refers to himself as the Master of Crime, I assume due to his ability to root out criminals, as his career as a felon seems to mostly consist of womanizing, petty thievery, drunken brawls, desertion of duty, and escapes from prison- rather than big scores. And while he did break out of a number of prisons, he kept getting caught.

          The book doesn’t get interesting until halfway through when he begins his vocation as a professional snitch (or police spy, as he calls it). Already familiar with French criminal underworld and its argot, he launched into his he job with a hungry appetite. Soon he became too well known to operate effectively, so he began to master the art of disguise and affecting different accents. This lead him to eventually be inducted into the police as an inspector and then be given his own semi-autonomous squad. There he help to pioneer or champion various techniques to cut down on counterfeiting (a large problem at the time), crime scene investigations, and rudimentary ballistic testing.

          His success brought on many enemies both inside the police and out. Jealousy of his achievements caused many on his side of the fence to view him as a threat. At least according to him. In his writing he doesn’t fail at every opportunity to demonstrate or comment on his own brilliance and acumen. So I have no doubt that this arrogance helped to garner him a vast number of professional detractors.

From The Vidocq Society

          Several critics have attacked them, claiming that they were “spurious”, or at least exaggerated, that he had them ghost written, and so on. But I have to point out here that most of the cases he discusses as a police detective were well known at the time and the facts could easily be checked up on, even if now they have wallowed into obscurity. And in a sense the accuracy of the memoirs is unimportant. Like those who argue about the historical existence of King Arthur, the stories themselves have shaped our culture much more than any truth could have. Look at the list above again and see what it inspired, then think on how much else was inspired by those works and you will see, exaggerated or not, the Memoirs of Vidocq are extremely culturally valuable.

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"Yellow Kid" Weil: The Autobiography of America's Master Swindler (Autobiography) (True Crime)

By: J. R. "Yellow Kid" Weil & W.T. Brannon 

Publisher: Nabat Books; Nabat ed. edition (February 22, 2011) (originally published 1958)

Softcover 352 pages 

          “In those days, the police was not like the police of today. The force was not so large, and the Detective Bureau had not yet been organized. The Municipal Court was not a big organization. Most of the courts were operated by justices of the peace. We called them “Justice Shops”. Each justice had his own constables, who were the detectives of that period…. Both civil and criminal cases were tried in the Justice Shops. I knew one of the magistrates quite well- Judge Aldo. He used to send me out to select jurors. Juries were composed of six men. When I was assigned to get a jury, I was first of all, told which way the case was decided.”  

          The autobiography of one of America’s most well-known confidence men. His life of constant crime and cons spanned decades and raked in millions of dollars. According to him, he pioneered or perfected several techniques which were copied to death over the years, forcing him to continuously innovate his scams.  

           Beginning with selling snake oil in the days of horse and buggies, he moved onto pulling the fake stock swindle, staging fake illegal fights, staging fake fixed horse races, and the fake casino scam. For a lifetime of crime, he spent a total of six years in prison on three separate charges (two of which he claims he was the victim of circumstance), dying penniless in a nursing home at age 100 in 1976. 

          Like most cons of this era, Weil found it more expedient to rope his victims into a scheme where they thought they were getting something in an illegal activity. This was to prevent the victim from going to the police after they had been swindled, because then they’d have to admit their own intent on breaking the law. And in many cases this style protected Weil from prosecution. Such as in the when he worked a scam at the race track revolving around fixing a race. After he absconded with the money freely given to him what could he be charged with? Not fixing a race?

          His moniker, the “Yellow Kid” comes from his love of a comic of the same name about a bald Asian child wearing a yellow smock that bore out his internal thoughts, which appeared in Hearst run newspapers at that time (and gave rise to the phrase “yellow journalism”). There have been many other reasons given by people and biographers, but this is the one Weil sticks by. The story he gives around it is odd, but he claims it is true. 

          An easy read, the most interesting parts are the bits and pieces of how the justice system was set up in the past and the technology of the past. The last decade of the 19^th century and the first two of the 20^th were called the golden age of the con man. This was because the criminal codes had yet to catch up with the technology. The wire services ran all across the country, sending messages in Morse code from San Francisco to New York. Thus it was simple to tap a line to send a fake message or to simply have dummy apparatus around that appeared to be receiving a message. Thus you could claim something was happening in another part of the country and it was very difficult for the victim to check.

Original cover of the 1958 edition

          What sets Weil apart from the others, besides his innovations, was his attention to detail. He stole the identity of a mining engineer who was somewhat well known and had written several books. He had several books rebound with his picture in place of the author to prove his identity. Sometimes he would have fake articles about himself rebound into magazines, then a stooge would replace the local library’s copy with the forgery. It would slip out that he had an article about himself published and the victim would find it on their own. To Weil, the props of his scam was as important as the pitch itself.

          Weil shows no remorse for his cons. His opinion was that those who were fooled thought they were getting something through crooked means, thus they had no moral standing to be outraged. The mentality was that you cannot cheat an honest man. But he applied this mentality to himself after he was taken for 10,000 dollars by a pair of female con artists. He was even amused by the fact that he had been taken using the same techniques that he had practiced for four decades.

          His own downfall came from two parts, his spendthrift habits. He states that “money was like water in my hands.” He would turn most of his cash over to his wife who would save it. But when she died, he blew through everything. The other part is his own fame. He became too well known as a con man and his several attempts to go legitimate always ended up backfiring due to his past criminal acquaintances or police interference. Of course, had he gone legit then he wouldn’t be remembered today.

W.T. Brannon and Joseph Weil (aged 75)  

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Astro City vol. 14: Reflections (Graphic Novel)

By: Kurt Busiek, Brent Anderson, Alex Ross

Publisher: Vertigo (2017)

Hardcover 176 pages 




         

          As usual the Astro City team excels themselves. Easily the best writing that Alex Ross and Kurt Busiek have ever done. It continues to build on the mythology of their universe, while simultaneously being a nostalgic look at the old school comics before the need for “grittiness” set in. It looks and feels like the early days of comics with that sense of wonder and optimism that often infused the style of writing at the time.

The book begins with the 20^th anniversary episode that hearkens back to the first issue with the Samaritan, their Superman analogue. Demonstrating that he is so busy fighting crime, saving people, and averting natural disasters that the only time he has for peace is when he is dreaming. But now his dreams are being disturbed and he is not as effective.

 Next we have a story from the perspective of a young alien boy whose civilization is in constant strife against the Furst Family, the Fantastic Four analogue in the Astro City verse. On the boy’s planet the Furst Family are branded as war criminals and targeted for death, but as the boy discovers when he comes across one, his government’s propaganda misleads the populace. And we are left with the sense that he may try to change things on his world.

Last we have a story revolving around Steeljack, the Steel Jacketed Man, whom we last saw in the Tarnished Angel story, the former supervillain turned straight. He is now a low rent private eye and becomes involved in a case with a former associate who is being framed for a crime. He discovers that man old time villains that have hung up the mask have been framed or shot for crimes recently and begins to track down the culprit. This story has one of the most interesting villains we’ve seen yet in the series and is the gem of this collection. You could see they had a lot of fun writing this arc.  

One note, the Amazon listing states one of the stories spotlights three generations of the Jack-in-the-Box character, but that arc is not actually collected in this collection. No doubt it will be in the next one.

The Bureau of Lost Souls (Horror)

by Christopher Fowler

Publisher: Century Hutchinson (1989)

Hardcover 244 pages



 

          “She ran for the kitchen and the knife rack above the sink as he appeared behind her in a showering explosion of plaster and wooden staves. For a second she caught sight of him striding across the room through a spray of dust, and the madness which glittered behind his blood-streaked eyes spurred her on.”

          This is a collection of twelve horror stories from a veteran horror writer. The cover flap states that the tales are linked, but I found no real evidence of that, except that each is in an urban setting. It has been pointed out that most English horror seems to be set in the city, while American horror tends to drift out to the rural wilds, or the false face of a peaceful suburban scene.

Author Christopher Fowler

          While they are solid enough on their own, I have to say that they do not add much to the genre. With many of them I knew the ending three pages into the story and just kept reading hoping that my assumptions would be wrong. They were not. The horror elements here are human for the most part, the author eschewing supernatural elements for the more gritty tales of urban decay and paranoia.

          There were a few exceptions of above average stories. “Jumbo Portions” about a man accidently falling into a deep fryer has some gruesome details that might appeal. “Lost in Leicester Square” about police investigation into disappearing tourists, which may or may not be linked to vampires, is amusing. “Safe as Houses” about an obsessive security-conscious perfectionist is also fun. Plus the titular “Bureau of Lost Souls” is perhaps the cream of the crop.

          But again that’s not really saying much. Standard horror here. I don’t see myself reading this text again.

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James T. Farrell's Chicago Stories (Fiction) (Crime)

By: James T. Farrell (Selected and edited by Charles Fanning)

Publisher: University of Illinois Press (1998).

Softcover 296 pages.

          “Judge Henderson just didn’t have the time. The cases had to be disposed of. Tomorrow there would be the same number. The juvenile problem was insoluble. There was no settlement of it. The same boys were warned, but they were brought back. Parents were warned, but they were helpless. There was nothing to do but rush through from case to case, let off so many, put so many on probation, send so many to the Detention Home. Day after day this must go on. The law must be upheld. There was no time for her to delay, study, probe into the causes of these delinquencies. All she could do was reach out and try, and hope that a few boys would be recused from crime, and a few girls from the life a prostitute. That was what she did. Lectures, warnings, scoldings, questions, sentences. Next. Next. Next. All morning. Next. All afternoon. Next. Tomorrow. More. Next.”  

          A collection of short stories, taken from ten separately published collections, by the great James T. Farrell of Studs Lonnigan fame. The authors gives us various slices of life for the working class Irish in Old Chicago from around 1920s to the late 1940s.

James T. Farrell

          The generation he’s writing about here was my grandparents, all of whom were old-school Irish (or very near), so this takes me back to the attitudes, thoughts, discussions, and worries of the my youth. The characters all feel very real and, from what I’ve gathered, plucked from the author’s own past. He is able to capture with believably the ravages of old age, the anxiety of teens, the depressions of middle age, and the emotional turbulence of youth. He is able to highlight the rich and poor with equal sympathy (or lack thereof when appropriate), and as such not one character rings false. Each seems a living, breathing, thinking, entity unto themselves.

          What always struck me about Farrell’s work, apart from the realistic characters, was the attention to minor detail of the world around him. His characters or narrator will causally mention some larger problem happening in the city at the time of the story, and a google search shows that something like that was going on in Chicago.

          This is an old fashioned view of the world from a time when it was acceptable to chase blacks out of parks deemed “whites only”. And while Farrell occasionally editorializes the content, often it is presented unemotionally and without comment. This is how is was, this is how it is. From the workhouses, to the pool halls, to the churches, to the row houses, to the elegant apartments. The priests, the professors, the gamblers, the bums, the working stiffs, the employers, the middle men, the union men, the lovers, and the haters. Without emotion, nostalgia, or regret. The Irish Chicago of the past. Enjoy.

The Sociopath Next Door (Psychology)

By: Martha Stout, ph. d.

Publisher: Harmony Press (2006)

Softcover 256 pages.

          “After listening for almost twenty five years to the stories my patients tell me about sociopaths who have invaded and injured their lives, when I am asked, ‘How can I tell whom not to trust?’ the answer I give usually surprises people. The natural expectation is that I will describe some sinister-sounding detail of behavior or snippet of body language or threatening use of language that is the subtle giveaway…. The best clue is, of all things, the pity play. The most reliable sign, the most universal behavior of unscrupulous people is not directed, as one might imagine, at our fearfulness. It is, perversely, an appeal to our sympathy.”

          A fascinating look at the nature of the sociopath which, the author contends, makes up one in twenty five of the current population- or roughly four percent of the country, close to 14 million Americans. The sociopath does not just simply lack a conscience, but is unable to process any emotional encounter. It simply slides off of their brain. The sociopath cannot feel the emotions of others, but learns to mimic them in order to become the social chameleon and manipulate others.

Martha Stout- Author

          The above quote sheds light on my previous research on a book about serial killers.  One of the things that struck me was how they were all such whiners. Once captured they always attempted to curry sympathy, even they had committed the most horrific of crimes. I had always assumed it was a manipulation, or they lacked any emotion but self-pity, but to see that it was endemic of a wider pathology was fascinating.

          It covers several case studies of different sociopaths, their methods, and how they manipulate people. Apart from their remorselessness, what they all seem to have in common is a general unhappiness, an inability to commit to anything, an unwillingness to do any hard work if there is a dodge around it, a love of mind games, and a life that generally is always destroyed by their own actions.

          The only problem I had with this book is the author’s occasional tendency to knock Western culture, suggesting that we are fundamentally flawed for being descended from Europeans. She suggests that our culture produces more sociopaths than our cultures, which is ridiculous, nor borne out by the statistics. She compares American society to Indian culture, stating the stereotype that service to the family is inbuilt into their culture as it is not in ours. She then speculates that the Indian culture would have prevent the individual from becoming a sociopath, or at least curbed some of their activities or they would less of a burden on society. She offers no specific study for these ideas and must be considered spurious. These parts do not fit in with the rest of the book and seems to have been inserted to either pad up the book or appease some leftist editor.

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